** Runner’s World 2012 Election Special **

Running Mates sketch

When I got the briefing about Runner’s World‘s feature on the ACLI Capital Challenge — a three-mile race near Capitol Hill, packed with politicians — I sketched out an idea for the opener that would reference the grass-planted political ads that are staples of any election season. My signs would feature key politicians who participated in the race, and their photos would be action shots taken during their run. (The 2012 race took place months before I’d even joined the staff of Runner’s World, and was photographed pretty extensively.)

RW Associate Art Director Tara Maida and Deputy Art Director Marc Kauffman made the signs, and Rodale staff photographer Mitch Mandell shot them just outside the company parking lot:

Running Mates photo shoot

Here’s how my final layout turned out:

Running Mates

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Chinese “Dogs”

Here’s something cool. Runner’s World China — the latest international edition of the brand — picked up the “Dogs” story and its layout. This is the first time I’ve ever seen my work reinterpreted into Chinese!

Dogs in RW China

 Runner's World Don't Go Out in Those Hills

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“Don’t Go Out in Those Hills. There Are Dogs Out There.”

SPD Grafitti NYC

Magazines NYC

(A couple photos from my latest visit to NYC …)

There’s one other feature from the October issue of Runner’s World that I haven’t shared here yet. I wanted to wait until I could link to the SPD’s site, where photographer Joe Pugliese and I talk about the process of turning my initial concept sketch —

Runner's World Dog Sketch

Runner's World Dog Sketch Up Close

— Into this:

Runner's World Don't Go Out in Those Hills

Check out the entry here.

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Runner’s World: Issue One

Check out those great covers from 40 years ago. I saw those piled up on a desk at the office and had to snap some photos for myself.

I have to admit, I’d never picked up a copy of Runner’s World before interviewing for the Design Director position back in June. I’m not a runner — although I’m hoping my new job will help change that — so I never really felt compelled to flip through it. But after an initial phone interview with Editor-in-Chief David Willey, I had the 12 most recent issues of the magazine FedExed to me, so that I could check them out and have at least a loosely informed conversation during my in-person interview a few days later. And after getting a better sense of Runner’s World, I was really excited about the content, and the places I could potentially go with it.

My first day on the job came just two weeks after flipping through the magazine for the first time, but I didn’t sweat it too much. The topic of the magazine may be new territory for me, but it contains the two basic elements I always latch onto for inspiration in my work: drama and humor. And I knew the editors were really excited to try different creative approaches to the content.

One of the first service features I began working on was about race days gone terribly wrong. It was called “Race Day Disasters!” — and that “Disasters!” immediately grabbed me. It made me think of vintage men’s magazine covers, like the ones in this Instagram photo of my desk:

 Or these, which I snapped at an antique store in Columbia, PA:

(I rearranged the vendor’s display so that my shot would look better.)

I commissioned Tyler Jacobson, whom I’d worked with once before at Men’s Journal, and who I knew would do something really exciting with this genre. I loaded him up with concepts and examples, and asked him to play up the pulpy melodrama in his paintings. And to use a lot of red and yellow.

I designed a feature opener using only the magazine’s standard fonts, then added scratches from my personal collection. Nine years ago, I scanned the then-battered paperback dictionary I’d gotten new for Christmas back in seventh grade — I’d actually asked for it as a present — and I’ve used it in about a dozen different published pieces over the years.

Here’s the opener:

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Blogging Streak Resumed!

Be Cool Brother

Here’s a flea market find from earlier this summer : An old photo of a kid who probably grew up to become a Beastie Boy. I bought this for a dollar.

It’s been three months since my last update, and four months since the post in which I declared I was attempting to become a more active blogger. A disappointing performance, to be sure, but I have a good reason for my fumble: Eight entries into my hottest, longest-running blogging streak ever, my life took an abrupt and very serious turn when I unexpectedly lost my job at Men’s Journal.

I don’t want to comment on the matter here, but I’ll share a remark that a magazine veteran and design hero of mine made to me a few days after I had the rug pulled out from under me: “You’ve just joined an exclusive and prestigious club of talented people fired without merit by Jann Wenner. You should consider yourself lucky.” (Another respected magazine vet later added, “Actually, the club’s not so exclusive anymore. It’s getting bigger all the time.”)

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